SuperHero
it’s not the boots
that draw me
thigh high
though they may be
studded, spangled
with stars
nor is it
the mystic bracers
encircling
your righteous wrists
their glimmer
and shine not enough
your fluttering cape
snapping to attention
the golden
garland wreathed
through your hair
with such heroic flair
mirrored
in tiny hoops
through each ear
these captivate, enthrall
but alone are not
dynamic enough
to entice me,
nor the strength
of your countenance,
the mighty
purpose of your
gaze, though hypnotize
it may, something
other is your power
the naked weakness
you try in vain
to cloak
draws the villain
in me from
his veiled lair
Jeff Fleming
http://nibblepoems.wordpress.com/
Thursday, April 30, 2009
Tuesday, April 14, 2009
Kenotic Remembrance - Matthew Hall
Kenotic Remembrance
white thought
coalescing
close / artless / feint parameters
vis-à-vis aphasia
the ruined code of captive architecture
sequence reliance
missing elements [∞]
the resonant line
ontological patterns of red dirt
or granite, or distant regard
grotesque mechanics
in fields ofhome
lechery in the distance of negative freedom
on edgeless overlays / palimpsest / dimension
stagnantbetween the adjoining image
a compound enclosure of horizon / instance /
a scream which bears it teeth
and then recedes
Matthew Hall
http://www.cordite.org.au/poetry/matthew-hall-polyvalent
white thought
coalescing
close / artless / feint parameters
vis-à-vis aphasia
the ruined code of captive architecture
sequence reliance
missing elements [∞]
the resonant line
ontological patterns of red dirt
or granite, or distant regard
grotesque mechanics
in fields of
lechery in the distance of negative freedom
on edgeless overlays / palimpsest / dimension
stagnant
a compound enclosure of horizon / instance /
a scream which bears it teeth
and then recedes
Matthew Hall
http://www.cordite.org.au/poetry/matthew-hall-polyvalent
Friday, February 27, 2009
Karl Marx Drowns His Sorrows, 1871 - Justin Lowe
Karl Marx Drowns His Sorrows, 1871
You will no doubt appreciate
the irony, Freddy
it was never to my taste,
as you well know, but
I live in a perpetual state of it
for you, I think, to either
qualify or quantify, God knows...
either way it is ironic, no?
that it should be here
in this dank Brixton flat
I finally eliminate grey from the world
Jenny hovers in the hallway
afraid to come in
we speak like this
her face veiled in twilight
hours days years...
this oppressive London twilight
it seems she lives there
as though sensing I am
the butcher of her world
this grey London world
storms in a million teacups
I could cover a hundred pages like this
please mail me ten pounds, Freddy
and I will send you my notes
my life here is this mountain of paper
like the soot that blackens my windows
ashes of how many cities?
Justin Lowe
(from 'Glass Poems' 2006)
http://www.bluepepper.blogspot.com/
You will no doubt appreciate
the irony, Freddy
it was never to my taste,
as you well know, but
I live in a perpetual state of it
for you, I think, to either
qualify or quantify, God knows...
either way it is ironic, no?
that it should be here
in this dank Brixton flat
I finally eliminate grey from the world
Jenny hovers in the hallway
afraid to come in
we speak like this
her face veiled in twilight
hours days years...
this oppressive London twilight
it seems she lives there
as though sensing I am
the butcher of her world
this grey London world
storms in a million teacups
I could cover a hundred pages like this
please mail me ten pounds, Freddy
and I will send you my notes
my life here is this mountain of paper
like the soot that blackens my windows
ashes of how many cities?
Justin Lowe
(from 'Glass Poems' 2006)
http://www.bluepepper.blogspot.com/
Sunday, February 22, 2009
Outside Centrelink - Jane Williams
Outside Centrelink
among the lunch hour execs catching a few rays
a young man with cyclonic eyes aware only of this
fast becoming another day without and what to do
about it breathing through clenched fists the trigger
for anything more taking the usual form
an absentminded brush from a suit filing back
into the system that has failed him yet again or this
(you had to be there) sunlight bouncing off silver
buckled shoes tempting as a free lunch unleashing
weeks of P's and Q's honed into the heels of his
own redundant work boots as he sprints jumps
lands hard on target then simply walks lighter now
uninterrupted steps through parting briefcases it isn't
the stuff of revolutions but on a good day it might
wipe the patent leather smiles from our faces
among the lunch hour execs catching a few rays
a young man with cyclonic eyes aware only of this
fast becoming another day without and what to do
about it breathing through clenched fists the trigger
for anything more taking the usual form
an absentminded brush from a suit filing back
into the system that has failed him yet again or this
(you had to be there) sunlight bouncing off silver
buckled shoes tempting as a free lunch unleashing
weeks of P's and Q's honed into the heels of his
own redundant work boots as he sprints jumps
lands hard on target then simply walks lighter now
uninterrupted steps through parting briefcases it isn't
the stuff of revolutions but on a good day it might
wipe the patent leather smiles from our faces
Jane Williams
http://walleahpress.com.au/FR36Williams.html
Saturday, January 24, 2009
Untitled - Brooke Linford
Untitled
After a long time
of being still
he begins to crackle
I can hear
his mind tick
see him kneel
in his robe
maybe
finally
he can call off the search.
Brooke Linford
http://www.holland1945.net.au/
After a long time
of being still
he begins to crackle
I can hear
his mind tick
see him kneel
in his robe
maybe
finally
he can call off the search.
Brooke Linford
http://www.holland1945.net.au/
Sunday, January 18, 2009
In Translation - Amelia Walker
In Translation
This language is a borrowed dress
I put on,
but never truly wear.
I put on,
but never truly wear.
It is functional enough:
hides what must be hidden,
enables me to blend into streets and supermarket aisles.
Still I know -perhaps others can tell-
it is not mine.
hides what must be hidden,
enables me to blend into streets and supermarket aisles.
Still I know -perhaps others can tell-
it is not mine.
It hangs baggily in some places,
affords no movement in others;
is patched mismatching colours -legacy
of countless past wearers.
It has been taken in,
taken out, torn and soiled,
sewn up and let down.
No matter how much I wash it
the fabric is flavoured with moments that are not mine:
spilled drinks and cigarettes,
perfume and sweat,
a million mixed meanings,
minefields for misinterpretation.
affords no movement in others;
is patched mismatching colours -legacy
of countless past wearers.
It has been taken in,
taken out, torn and soiled,
sewn up and let down.
No matter how much I wash it
the fabric is flavoured with moments that are not mine:
spilled drinks and cigarettes,
perfume and sweat,
a million mixed meanings,
minefields for misinterpretation.
Still I walk around, wrapped in this language:
foreign as it is, I know no other.
foreign as it is, I know no other.
Secretly, though, I pick at its frays,
trying to imagine what could be
if this language and I were to unravel
into nakedness,
into silence.
Without words there are no rule books,
without words there are no lies.
Amelia Walker
trying to imagine what could be
if this language and I were to unravel
into nakedness,
into silence.
Without words there are no rule books,
without words there are no lies.
Amelia Walker
(first appeared in The Mollusca Chain)
http://www.freewebs.com/ameliawalker/index.htmFriday, January 2, 2009
Tourist Strip Poems - Graham Nunn
Tourist Strip Poems
1. The same old people
walking along the
same old skyline
2. A shell in the window
listening to the waves
3. Ghosts of the Yugambeh
people selling artefacts
in the avenue
4. Tomorrow's sand
waiting in the bilges
5. A seagull deafened
by concrete
on all sides
6. Clouds of sandflies
rise to neon calligraphy
7. The night sky's excesses
pour into
wakefulness
8. Streets of homeless;
suburbs of living dead
Graham Nunn
http://grahamnunn.wordpress.com/
1. The same old people
walking along the
same old skyline
2. A shell in the window
listening to the waves
3. Ghosts of the Yugambeh
people selling artefacts
in the avenue
4. Tomorrow's sand
waiting in the bilges
5. A seagull deafened
by concrete
on all sides
6. Clouds of sandflies
rise to neon calligraphy
7. The night sky's excesses
pour into
wakefulness
8. Streets of homeless;
suburbs of living dead
Graham Nunn
http://grahamnunn.wordpress.com/
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