The Words That Fell To Earth
Thirty seven pages.
Thirty seven miles.
The diary of Ilan Ramon,
Israel's first astronaut,
found, wet and crumpled,
in a field just outside Palestine,
Texas. Words:
scrawled survivors,
the only survivors of Columbia,
the space shuttle that disintegrated
upon re-entry, February 1st, 2003
- the newspaper says.
Disintegrated.
Such a newspaper word.
Distintegrated.
All that metal.
All that flesh
and blood and bones and organs
and thoughts -what thoughts?
Any?
Where did they go?
How is it ink and paper escaped
the explosion, the heat,
the ice cold plummet,
the dirt and damp of the field
to be found, two months later
and returned to Ilan's wife?
All that ink.
All that paper.
All that metal.
All that flesh.
Thirty seven pages
and how many words?
Amelia Walker
http://www.freewebs.com/ameliawalker/
Monday, December 28, 2009
Friday, December 18, 2009
New Tone Poem at 'The Poetry Slave'
Jane Williams and I have just finished the first collaborative tone poem at 'The Poetry Slave' (see link below & to the right)
Much in the same way that Sergei Rachmaninoff used Arnold Böcklin’s painting ‘The Isle of the Dead‘ as a starting point for his piece of the same name, we’ve used the expressionist painter Marc Chagall’s work Les Fiances de la Tour Eiffel as ours.
Have a look!
http://thepoetryslave.wordpress.com/
Much in the same way that Sergei Rachmaninoff used Arnold Böcklin’s painting ‘The Isle of the Dead‘ as a starting point for his piece of the same name, we’ve used the expressionist painter Marc Chagall’s work Les Fiances de la Tour Eiffel as ours.
Have a look!
http://thepoetryslave.wordpress.com/
Labels:
ashley capes,
jane williams,
the poetry slave,
tone poem
Saturday, December 12, 2009
Mark William Jackson - These Days that Play like Toothaches
These days that play like toothaches.
dragging each breath in
then pushing it out
like a cheating lover.
Breath upon breath until
the day is drawn up
and spat into a waste basin
by the straight syringe of time.
Day upon day until
we are left
to sleep with worms.
Mark William Jackson
http://markwilliamjackson.com/
dragging each breath in
then pushing it out
like a cheating lover.
Breath upon breath until
the day is drawn up
and spat into a waste basin
by the straight syringe of time.
Day upon day until
we are left
to sleep with worms.
Mark William Jackson
http://markwilliamjackson.com/
Sunday, November 29, 2009
Ron Wilkins - A Matter of Life and Death
A matter of life and death
While walking down the street
I surprised a girl and a boy
in passionate embrace against a wall.
Nothing strange about that, you may say,
but she was dressed in school uniform
and it was during school hours.
Ah, that’s life I said to myself.
Hey, guess what I saw in The Boulevard
I said to my wife.
Next day I was carrying
a ring-tailed possum by the tail
as I walked along the road.
Schoolgirl heads
swivelled in unison as I passed.
Burying the possum
in an unmarked grave next to the last
and beside the graves of my two cats,
creating quite a cemetery,
I thought to myself, that’s death.
Hey, guess what I saw down the street
I suppose a schoolgirl said to her mum,
completing yet another
life and death tale.
Ron Wilkins
http://www.quadrant.org.au/magazine/issue/2008/4/worm
While walking down the street
I surprised a girl and a boy
in passionate embrace against a wall.
Nothing strange about that, you may say,
but she was dressed in school uniform
and it was during school hours.
Ah, that’s life I said to myself.
Hey, guess what I saw in The Boulevard
I said to my wife.
Next day I was carrying
a ring-tailed possum by the tail
as I walked along the road.
Schoolgirl heads
swivelled in unison as I passed.
Burying the possum
in an unmarked grave next to the last
and beside the graves of my two cats,
creating quite a cemetery,
I thought to myself, that’s death.
Hey, guess what I saw down the street
I suppose a schoolgirl said to her mum,
completing yet another
life and death tale.
Ron Wilkins
http://www.quadrant.org.au/magazine/issue/2008/4/worm
Thursday, November 12, 2009
Sorting - Benjamin Dodds
Sorting
Stainless-steel pincers prick and tear
at a spread of gelatinous film
as I tack across the magnified world
of circular Pyrex dish.
Resting my eyes back in 1:1 scale,
I find that this membrane
is the anaemic skin
of a tiny speckled frog
made transparent
through weeks
of refrigerated storage
in hermetic cube-stacked jars,
its silken bounds
the only thing
that kept free-floating workings in.
Previously anchored to their task,
strange forms now range adrift
in the sterile expanse of ethyl alcohol,
a wash of organelles
breathed out by the slackening shape.
Benjamin Dodds
http://benjamindodds.blogspot.com/
Stainless-steel pincers prick and tear
at a spread of gelatinous film
as I tack across the magnified world
of circular Pyrex dish.
Resting my eyes back in 1:1 scale,
I find that this membrane
is the anaemic skin
of a tiny speckled frog
made transparent
through weeks
of refrigerated storage
in hermetic cube-stacked jars,
its silken bounds
the only thing
that kept free-floating workings in.
Previously anchored to their task,
strange forms now range adrift
in the sterile expanse of ethyl alcohol,
a wash of organelles
breathed out by the slackening shape.
Benjamin Dodds
http://benjamindodds.blogspot.com/
Friday, October 30, 2009
Running - Vanessa Page
Running
When roadside has turned to red
and desert oaks are stenciled
neat on car window canvases
you’ve run far enough - to where
dust folds over to new thicknesses
taking with it every trace.
It’s too late for the maps, left
unfolded on the passenger seat
you’re lost in odometer’s slow roll
passing bloated marsupials
with legs stiff as tent poles
grasping the sense in endings.
Vanessa Page
http://vanessapage.wordpress.com/
When roadside has turned to red
and desert oaks are stenciled
neat on car window canvases
you’ve run far enough - to where
dust folds over to new thicknesses
taking with it every trace.
It’s too late for the maps, left
unfolded on the passenger seat
you’re lost in odometer’s slow roll
passing bloated marsupials
with legs stiff as tent poles
grasping the sense in endings.
Vanessa Page
http://vanessapage.wordpress.com/
Tuesday, October 13, 2009
A Free Verse Sonnet for Freya Buchanan - Phillip A. Ellis
A Free Verse Sonnet for Freya Buchanan
With the sun slowly
growing through winter,
till the spring comes at last
with its crop of birds,
and the earth itself wakes
from the somnolence that is frozen soil,
it is not strange that some may
look to the long suns of summer.
But, before you do, think on this:
each element of snow is unique,
and will never be seen again,
just as is each mote of dust
strangely attracted along the shafts
of summer sunlight on sleep-dealing days.
Phillip A. Ellis
http://phillipellis.f-snet.com/
With the sun slowly
growing through winter,
till the spring comes at last
with its crop of birds,
and the earth itself wakes
from the somnolence that is frozen soil,
it is not strange that some may
look to the long suns of summer.
But, before you do, think on this:
each element of snow is unique,
and will never be seen again,
just as is each mote of dust
strangely attracted along the shafts
of summer sunlight on sleep-dealing days.
Phillip A. Ellis
http://phillipellis.f-snet.com/
Saturday, September 19, 2009
Haiku from Graham Nunn
Currently leading our Kasen Renku at Issa's Snail (see link to the right) is the talented Graham Nunn. Here are some of his own haiku:
dawn service
red scarf slashed
across the digger's throat
~
nudist beach
all eyes stare
out to sea
~
rooster's yellow beak opens the morning
~
makeshift bed
blood on the face
of the new born
~
at dusk
pink and blue clouds
of fairy floss
Graham Nunn
Unfortunately, Graham's haiku collection, a zen firecracker, is sold out, but his beautiful haibun collection is not, have a look below
http://www.pardalote.com.au/titles/measuring/
dawn service
red scarf slashed
across the digger's throat
~
nudist beach
all eyes stare
out to sea
~
rooster's yellow beak opens the morning
~
makeshift bed
blood on the face
of the new born
~
at dusk
pink and blue clouds
of fairy floss
Graham Nunn
Unfortunately, Graham's haiku collection, a zen firecracker, is sold out, but his beautiful haibun collection is not, have a look below
http://www.pardalote.com.au/titles/measuring/
Sunday, September 6, 2009
More Haiku from Issa's Snail
Today kipple once again samples some of the great poets contributing to interactive renku site Issa's Snail (see link to the right)
wind and wattle -
a season without
a name
~
four dolphins ride
the lip of the surf -
laughter
~
a squabble of rosellas
unzips
the clouds
~
a welcome mat -
the tabby unfolds
on a handkerchief of sun
Anne Elvey
swamp gums
in blossom
honeyeaters luncheon
~
Uluru -
in the distance there sits
a hippopotamus
~
old wooden bridge
waves of sand
...drifting mist
~
Southern Cross Station
two silver trains glide in
a blackbird flies out
Rhonda Poholke
wind and wattle -
a season without
a name
~
four dolphins ride
the lip of the surf -
laughter
~
a squabble of rosellas
unzips
the clouds
~
a welcome mat -
the tabby unfolds
on a handkerchief of sun
Anne Elvey
swamp gums
in blossom
honeyeaters luncheon
~
Uluru -
in the distance there sits
a hippopotamus
~
old wooden bridge
waves of sand
...drifting mist
~
Southern Cross Station
two silver trains glide in
a blackbird flies out
Rhonda Poholke
Saturday, August 22, 2009
Haiku from Issa's Snail
Today kipple samples some of the great poets contributing to interactive renku site Issa's Snail (see link to the right)
two worn Oxfords
all that's left of father
in the wardrobe
~
a heron's meal
interrupted by
a teenage jet-ski
~
one strand
carries a spider
weightless
Joseph Mueller
trying her name
ending with his -
the pen runs dry
~
Christmas Eve -
stepping into
a stranger's footprint
~
heat haze
she runs up waving
a fan shell
Sandra Simpson
rainforest –
should I listen to bellbirds
or the currawong?
~
the stray tomcat
tries a kitten’s voice –
winter dusk
~
winter fly –
my death poem
unwritten
Lorin Ford
two worn Oxfords
all that's left of father
in the wardrobe
~
a heron's meal
interrupted by
a teenage jet-ski
~
one strand
carries a spider
weightless
Joseph Mueller
trying her name
ending with his -
the pen runs dry
~
Christmas Eve -
stepping into
a stranger's footprint
~
heat haze
she runs up waving
a fan shell
Sandra Simpson
rainforest –
should I listen to bellbirds
or the currawong?
~
the stray tomcat
tries a kitten’s voice –
winter dusk
~
winter fly –
my death poem
unwritten
Lorin Ford
Labels:
haiku,
issa's snail,
joseph mueller,
lorin ford,
renku,
sandra simpson
Tuesday, August 11, 2009
Two Haiku - Gina
a little cloud
drifts from its mob –
sheep on the hill
~
the cat’s reflection
nods back –
empty fishpond
Gina
http://blumoon13.wordpress.com/
First Published in Gean Tree Press
drifts from its mob –
sheep on the hill
~
the cat’s reflection
nods back –
empty fishpond
Gina
http://blumoon13.wordpress.com/
First Published in Gean Tree Press
Thursday, July 23, 2009
Separation - Stuart Barnes
Separation
As if echoing feverish
prayer, she held the black comb
to her temple, fought to drag it
through the knots
and ampersands. She
stopped, stared into the glass,
and cracked my eyes,
and cried, "Tomorrow!" -
touched the baroque pearls
wetting her neck, and stepped into
crisp new blacks.
Stuart Barnes
http://www.pool.org.au/text/stuart_barnes/the_fourth_floor
As if echoing feverish
prayer, she held the black comb
to her temple, fought to drag it
through the knots
and ampersands. She
stopped, stared into the glass,
and cracked my eyes,
and cried, "Tomorrow!" -
touched the baroque pearls
wetting her neck, and stepped into
crisp new blacks.
Stuart Barnes
http://www.pool.org.au/text/stuart_barnes/the_fourth_floor
Tuesday, July 14, 2009
Bite - Graham Nunn
Bite
how close a minute ago had been
young girl in the sand
pulling off wet clothes
red on white
beautiful but for the horror of the moment
the frenzied tide
pulling out and around
as the people piled up
a simple example
of twenty-first century fascination
the screaming hell of flesh
humanity's reaching arms
sand sticks to everything.
Graham Nunn
http://grahamnunn.wordpress.com/
how close a minute ago had been
young girl in the sand
pulling off wet clothes
red on white
beautiful but for the horror of the moment
the frenzied tide
pulling out and around
as the people piled up
a simple example
of twenty-first century fascination
the screaming hell of flesh
humanity's reaching arms
sand sticks to everything.
Graham Nunn
http://grahamnunn.wordpress.com/
Tuesday, July 7, 2009
The Measure of All Things - Ros McFarlane
The Measure of All Things
Man has made himself
the measure of all things.
Stars are measured by the distance
from him.
Mountains are conquered
in feet.
Oceans are only as deep
as his ships can travel down.
Sunlight is dissected
into manageable portions
of sleeping, waking and working hours.
Animal intelligence
is compared to his.
Infrared and ultraviolet light
to colours visible through his eye.
Women measure their intelligence,
assets, education, prospects,
by his ideal;
and find themselves lacking or overachievers.
Man has even made himself
the measure of love
with “normal” (heterosexual)
“aberrant” (homosexual)
and “erotica” (hot lesbians).
But when man has even
measured God in relation to himself
(an outdated, primitive concept)
what is there left to measure up to?
Ros McFarlane
Man has made himself
the measure of all things.
Stars are measured by the distance
from him.
Mountains are conquered
in feet.
Oceans are only as deep
as his ships can travel down.
Sunlight is dissected
into manageable portions
of sleeping, waking and working hours.
Animal intelligence
is compared to his.
Infrared and ultraviolet light
to colours visible through his eye.
Women measure their intelligence,
assets, education, prospects,
by his ideal;
and find themselves lacking or overachievers.
Man has even made himself
the measure of love
with “normal” (heterosexual)
“aberrant” (homosexual)
and “erotica” (hot lesbians).
But when man has even
measured God in relation to himself
(an outdated, primitive concept)
what is there left to measure up to?
Ros McFarlane
Friday, June 26, 2009
Your Mother's Hands - Vanessa Page
Your Mother’s Hands
In the kitchen
you are slicing fruit
with hands
that remind you
of your mother
Deliberate,
and lined
they betray you
So too,
these beginnings
of crow’s feet
and pursed lips
as you hover over
autumnal hued
laminex
Careful, for
the influence
is catching
First the hands,
second, the
confused diplomacy
a tapping foot
closed gestures
the economic effort
We are all reinventions;
skin, papered
over skin
Vanessa Page
http://www.ipswichpoetryfeast.com.au/2008/winnersother_4.htm#hc4
In the kitchen
you are slicing fruit
with hands
that remind you
of your mother
Deliberate,
and lined
they betray you
So too,
these beginnings
of crow’s feet
and pursed lips
as you hover over
autumnal hued
laminex
Careful, for
the influence
is catching
First the hands,
second, the
confused diplomacy
a tapping foot
closed gestures
the economic effort
We are all reinventions;
skin, papered
over skin
Vanessa Page
http://www.ipswichpoetryfeast.com.au/2008/winnersother_4.htm#hc4
Wednesday, June 10, 2009
Gone, with the Wind - Ian C Smith
Gone, with the Wind
Like the wind we find a way
past prised planks. It pierces gaps
in the copper roof left by thieves.
The patin a of verdigris was our landmark
the colour of a lime milkshake.
Broken glass stains the aisle, soaked and still
all these years after that day’s excess.
Puffed-up pigeons gossip in the groins.
Before the altar the massive organ
has been overturned in a puddle.
They war, enemies without and within.
They conceive, are bereaved, never cede
victory despite the constant counting.
Sex is one bare luxury, extra rations
on a Saturday night after standing
in the double-decker to The Gaumont
to see Margaret Mitchell’s lurid fable.
‘Frankly, I don’t give a damn’
seems a throwaway line to savour
passing the air-raid siren, Dad as Clark Gable.
Ian C Smith
http://www.cordite.org.au/poetry/ian-c-smith-your-hair-was-so-yellow
Like the wind we find a way
past prised planks. It pierces gaps
in the copper roof left by thieves.
The patin a of verdigris was our landmark
the colour of a lime milkshake.
Broken glass stains the aisle, soaked and still
all these years after that day’s excess.
Puffed-up pigeons gossip in the groins.
Before the altar the massive organ
has been overturned in a puddle.
They war, enemies without and within.
They conceive, are bereaved, never cede
victory despite the constant counting.
Sex is one bare luxury, extra rations
on a Saturday night after standing
in the double-decker to The Gaumont
to see Margaret Mitchell’s lurid fable.
‘Frankly, I don’t give a damn’
seems a throwaway line to savour
passing the air-raid siren, Dad as Clark Gable.
Ian C Smith
http://www.cordite.org.au/poetry/ian-c-smith-your-hair-was-so-yellow
Sunday, May 31, 2009
She Is, I Am - David Stavanger
SHE IS, I AM
She is the kiss
and I am midnight
she is the silence
and I am Leonard Cohen’s last waltz
she is the nail
and I the empty chamber
she is the fish
and I am scaled to bone
she is the door
and I the unlocked
she is the floor
and I am still learning how to fall
she is the salt
and I am ordering take-away
she is the start
and I am stumbling to the finish
she is she is she is
I am I am I am
she is the heat
and I the smoke detector
she is the leaf
and I am winter
she is the switch
and I am sitting with mushrooms
she is the art
and I the finger paint of children
she is the appetite
and I the empty bowl
she is the paper
and I am out of ink
she is the sound
and I ring the door bell five times
she is the ready mother
and I the sudden father
she is she is she is
I am I am I am
she is
I am
David Stavanger
http://www.myspace.com/davidstavanger
She is the kiss
and I am midnight
she is the silence
and I am Leonard Cohen’s last waltz
she is the nail
and I the empty chamber
she is the fish
and I am scaled to bone
she is the door
and I the unlocked
she is the floor
and I am still learning how to fall
she is the salt
and I am ordering take-away
she is the start
and I am stumbling to the finish
she is she is she is
I am I am I am
she is the heat
and I the smoke detector
she is the leaf
and I am winter
she is the switch
and I am sitting with mushrooms
she is the art
and I the finger paint of children
she is the appetite
and I the empty bowl
she is the paper
and I am out of ink
she is the sound
and I ring the door bell five times
she is the ready mother
and I the sudden father
she is she is she is
I am I am I am
she is
I am
David Stavanger
http://www.myspace.com/davidstavanger
Sunday, May 24, 2009
Far - Emma K Osborne
Far
You traced flowers with
Ballpoints
Shone a six-ton smile
Right at me
Then flicked back - far-eyed.
Emma K Osborne
http://verbatehim.files.wordpress.com/2009/04/verb-ate-him-issue-one1.pdf
You traced flowers with
Ballpoints
Shone a six-ton smile
Right at me
Then flicked back - far-eyed.
Emma K Osborne
http://verbatehim.files.wordpress.com/2009/04/verb-ate-him-issue-one1.pdf
Monday, May 18, 2009
Start: One Evening in 1923 - Janine Baker
Start: One Evening in 1923
His start -
unremarkable -
barefoot street cricket
after floggings by The Brothers;
pudding on Sundays
and sly grog at the Palais
His journey -
unending -
from dodging Gyppo street girls
during shore leave in the Med
to jumping trains near Wagga
to escape the Army Provo’s
His contest -
unaccompanied -
through two continents
three wives, four kids spread wide
(could be a score more)
a dozen ships and
still no sign of contentment
His race -
unwon -
past maritime disasters
and that husband with a gun;
unfinished pictures; pulped novels (still unsold);
searching for a truth that’s not worth knowing…
His gravestone could read:
Tried it All (Once)
Failed
Kept Going
http://www.jackmagazine.com/credits.html
His start -
unremarkable -
barefoot street cricket
after floggings by The Brothers;
pudding on Sundays
and sly grog at the Palais
His journey -
unending -
from dodging Gyppo street girls
during shore leave in the Med
to jumping trains near Wagga
to escape the Army Provo’s
His contest -
unaccompanied -
through two continents
three wives, four kids spread wide
(could be a score more)
a dozen ships and
still no sign of contentment
His race -
unwon -
past maritime disasters
and that husband with a gun;
unfinished pictures; pulped novels (still unsold);
searching for a truth that’s not worth knowing…
His gravestone could read:
Tried it All (Once)
Failed
Kept Going
http://www.jackmagazine.com/credits.html
Monday, May 11, 2009
Alice perdu - Jamie Brown
Alice perdu
I can’t help thinking about
Alice, and her pretty white
dress, as she slips through
the television screen. The
strangers she meets there
measure out their lives in
coke spoons and cigarettes,
Beemers, bigger houses, and
who has the newest rattle.
The glowing phosphorescence
of her face as she says she
would rather stay on that
side of the glass, content
to have the rabbit for
dinner in burgundy sauce.
Jamie Brown
from 'Conventional Heresies'
http://smallpressreviews.wordpress.com/2009/03/25/conventional-heresies-a-quick-chat-with-poet-jamie-brown/
I can’t help thinking about
Alice, and her pretty white
dress, as she slips through
the television screen. The
strangers she meets there
measure out their lives in
coke spoons and cigarettes,
Beemers, bigger houses, and
who has the newest rattle.
The glowing phosphorescence
of her face as she says she
would rather stay on that
side of the glass, content
to have the rabbit for
dinner in burgundy sauce.
Jamie Brown
from 'Conventional Heresies'
http://smallpressreviews.wordpress.com/2009/03/25/conventional-heresies-a-quick-chat-with-poet-jamie-brown/
Thursday, April 30, 2009
SuperHero - Jeff Fleming
SuperHero
it’s not the boots
that draw me
thigh high
though they may be
studded, spangled
with stars
nor is it
the mystic bracers
encircling
your righteous wrists
their glimmer
and shine not enough
your fluttering cape
snapping to attention
the golden
garland wreathed
through your hair
with such heroic flair
mirrored
in tiny hoops
through each ear
these captivate, enthrall
but alone are not
dynamic enough
to entice me,
nor the strength
of your countenance,
the mighty
purpose of your
gaze, though hypnotize
it may, something
other is your power
the naked weakness
you try in vain
to cloak
draws the villain
in me from
his veiled lair
Jeff Fleming
http://nibblepoems.wordpress.com/
it’s not the boots
that draw me
thigh high
though they may be
studded, spangled
with stars
nor is it
the mystic bracers
encircling
your righteous wrists
their glimmer
and shine not enough
your fluttering cape
snapping to attention
the golden
garland wreathed
through your hair
with such heroic flair
mirrored
in tiny hoops
through each ear
these captivate, enthrall
but alone are not
dynamic enough
to entice me,
nor the strength
of your countenance,
the mighty
purpose of your
gaze, though hypnotize
it may, something
other is your power
the naked weakness
you try in vain
to cloak
draws the villain
in me from
his veiled lair
Jeff Fleming
http://nibblepoems.wordpress.com/
Tuesday, April 14, 2009
Kenotic Remembrance - Matthew Hall
Kenotic Remembrance
white thought
coalescing
close / artless / feint parameters
vis-à-vis aphasia
the ruined code of captive architecture
sequence reliance
missing elements [∞]
the resonant line
ontological patterns of red dirt
or granite, or distant regard
grotesque mechanics
in fields ofhome
lechery in the distance of negative freedom
on edgeless overlays / palimpsest / dimension
stagnantbetween the adjoining image
a compound enclosure of horizon / instance /
a scream which bears it teeth
and then recedes
Matthew Hall
http://www.cordite.org.au/poetry/matthew-hall-polyvalent
white thought
coalescing
close / artless / feint parameters
vis-à-vis aphasia
the ruined code of captive architecture
sequence reliance
missing elements [∞]
the resonant line
ontological patterns of red dirt
or granite, or distant regard
grotesque mechanics
in fields of
lechery in the distance of negative freedom
on edgeless overlays / palimpsest / dimension
stagnant
a compound enclosure of horizon / instance /
a scream which bears it teeth
and then recedes
Matthew Hall
http://www.cordite.org.au/poetry/matthew-hall-polyvalent
Friday, February 27, 2009
Karl Marx Drowns His Sorrows, 1871 - Justin Lowe
Karl Marx Drowns His Sorrows, 1871
You will no doubt appreciate
the irony, Freddy
it was never to my taste,
as you well know, but
I live in a perpetual state of it
for you, I think, to either
qualify or quantify, God knows...
either way it is ironic, no?
that it should be here
in this dank Brixton flat
I finally eliminate grey from the world
Jenny hovers in the hallway
afraid to come in
we speak like this
her face veiled in twilight
hours days years...
this oppressive London twilight
it seems she lives there
as though sensing I am
the butcher of her world
this grey London world
storms in a million teacups
I could cover a hundred pages like this
please mail me ten pounds, Freddy
and I will send you my notes
my life here is this mountain of paper
like the soot that blackens my windows
ashes of how many cities?
Justin Lowe
(from 'Glass Poems' 2006)
http://www.bluepepper.blogspot.com/
You will no doubt appreciate
the irony, Freddy
it was never to my taste,
as you well know, but
I live in a perpetual state of it
for you, I think, to either
qualify or quantify, God knows...
either way it is ironic, no?
that it should be here
in this dank Brixton flat
I finally eliminate grey from the world
Jenny hovers in the hallway
afraid to come in
we speak like this
her face veiled in twilight
hours days years...
this oppressive London twilight
it seems she lives there
as though sensing I am
the butcher of her world
this grey London world
storms in a million teacups
I could cover a hundred pages like this
please mail me ten pounds, Freddy
and I will send you my notes
my life here is this mountain of paper
like the soot that blackens my windows
ashes of how many cities?
Justin Lowe
(from 'Glass Poems' 2006)
http://www.bluepepper.blogspot.com/
Sunday, February 22, 2009
Outside Centrelink - Jane Williams
Outside Centrelink
among the lunch hour execs catching a few rays
a young man with cyclonic eyes aware only of this
fast becoming another day without and what to do
about it breathing through clenched fists the trigger
for anything more taking the usual form
an absentminded brush from a suit filing back
into the system that has failed him yet again or this
(you had to be there) sunlight bouncing off silver
buckled shoes tempting as a free lunch unleashing
weeks of P's and Q's honed into the heels of his
own redundant work boots as he sprints jumps
lands hard on target then simply walks lighter now
uninterrupted steps through parting briefcases it isn't
the stuff of revolutions but on a good day it might
wipe the patent leather smiles from our faces
among the lunch hour execs catching a few rays
a young man with cyclonic eyes aware only of this
fast becoming another day without and what to do
about it breathing through clenched fists the trigger
for anything more taking the usual form
an absentminded brush from a suit filing back
into the system that has failed him yet again or this
(you had to be there) sunlight bouncing off silver
buckled shoes tempting as a free lunch unleashing
weeks of P's and Q's honed into the heels of his
own redundant work boots as he sprints jumps
lands hard on target then simply walks lighter now
uninterrupted steps through parting briefcases it isn't
the stuff of revolutions but on a good day it might
wipe the patent leather smiles from our faces
Jane Williams
http://walleahpress.com.au/FR36Williams.html
Saturday, January 24, 2009
Untitled - Brooke Linford
Untitled
After a long time
of being still
he begins to crackle
I can hear
his mind tick
see him kneel
in his robe
maybe
finally
he can call off the search.
Brooke Linford
http://www.holland1945.net.au/
After a long time
of being still
he begins to crackle
I can hear
his mind tick
see him kneel
in his robe
maybe
finally
he can call off the search.
Brooke Linford
http://www.holland1945.net.au/
Sunday, January 18, 2009
In Translation - Amelia Walker
In Translation
This language is a borrowed dress
I put on,
but never truly wear.
I put on,
but never truly wear.
It is functional enough:
hides what must be hidden,
enables me to blend into streets and supermarket aisles.
Still I know -perhaps others can tell-
it is not mine.
hides what must be hidden,
enables me to blend into streets and supermarket aisles.
Still I know -perhaps others can tell-
it is not mine.
It hangs baggily in some places,
affords no movement in others;
is patched mismatching colours -legacy
of countless past wearers.
It has been taken in,
taken out, torn and soiled,
sewn up and let down.
No matter how much I wash it
the fabric is flavoured with moments that are not mine:
spilled drinks and cigarettes,
perfume and sweat,
a million mixed meanings,
minefields for misinterpretation.
affords no movement in others;
is patched mismatching colours -legacy
of countless past wearers.
It has been taken in,
taken out, torn and soiled,
sewn up and let down.
No matter how much I wash it
the fabric is flavoured with moments that are not mine:
spilled drinks and cigarettes,
perfume and sweat,
a million mixed meanings,
minefields for misinterpretation.
Still I walk around, wrapped in this language:
foreign as it is, I know no other.
foreign as it is, I know no other.
Secretly, though, I pick at its frays,
trying to imagine what could be
if this language and I were to unravel
into nakedness,
into silence.
Without words there are no rule books,
without words there are no lies.
Amelia Walker
trying to imagine what could be
if this language and I were to unravel
into nakedness,
into silence.
Without words there are no rule books,
without words there are no lies.
Amelia Walker
(first appeared in The Mollusca Chain)
http://www.freewebs.com/ameliawalker/index.htmFriday, January 2, 2009
Tourist Strip Poems - Graham Nunn
Tourist Strip Poems
1. The same old people
walking along the
same old skyline
2. A shell in the window
listening to the waves
3. Ghosts of the Yugambeh
people selling artefacts
in the avenue
4. Tomorrow's sand
waiting in the bilges
5. A seagull deafened
by concrete
on all sides
6. Clouds of sandflies
rise to neon calligraphy
7. The night sky's excesses
pour into
wakefulness
8. Streets of homeless;
suburbs of living dead
Graham Nunn
http://grahamnunn.wordpress.com/
1. The same old people
walking along the
same old skyline
2. A shell in the window
listening to the waves
3. Ghosts of the Yugambeh
people selling artefacts
in the avenue
4. Tomorrow's sand
waiting in the bilges
5. A seagull deafened
by concrete
on all sides
6. Clouds of sandflies
rise to neon calligraphy
7. The night sky's excesses
pour into
wakefulness
8. Streets of homeless;
suburbs of living dead
Graham Nunn
http://grahamnunn.wordpress.com/
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